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Contract Context Printing 160 characters of context... Expand Context ... nts: “there is more of compliment than 'sneer' in these recollections of Shakespeare.” <i>F</i> (presumably <i>Furnivall</i>) chimes in: “ ...
... conclusion of this scene is a remnant, word for word, of the earlier tragedy by Shakespeare's predecessor; and this little snatch of Latinity upholds this view. ...
... this little snatch of Latinity upholds this view. The dramatic predecessors of Shakespeare were very fond of interlarding their pieces with such little snatche ...
... very fond of interlarding their pieces with such little snatches of Latin, and Shakespeare yielded to the practice only in his very earliest plays, not in his ...
... ones. Therefore, from the use of these little phrases alone we might infer that Shakespeare retained all of these concluding lines from the earlier drama, perha ...
... aps there was something conventional in this, as Professor Bradley suggests (<i>Shakespearean Tragedy</i>, p. 412)> I am reminded of the attempt of Balaam to ...
... mlet of 1603. <i>Pioneer </i>is not only inharmonious ([Greek]), but unlike the Shakespearian rhythm.” </para></cn> <cn><sigla>1860<tab> </tab>Walker</si ...
363) Commentary Note for line 863:863 There are more things in heauen and earth Horatio... i>.' <small>I had amended and rectified the Pointing of this whole Speech in my SHAKESPEARE <i>restor'd</i>, to which I desire for Brevity's Sake to refer my Re ...
... fairs of the world: a doctrine, we have reason to think, little in harmony with Shakespeare's notion upon such subjects. My conjecture is supported by a passage ...
... form of <i>akimbo</i>, “e.g. <i>on kembow </i>or <i>in kenebowe</i>. If Shakespeare could have spelt either of those with a <i>c </i>for the <i>k </i>th ...
... s across', 'folded', 'wreathed', in a 'knot', etc., are regularly associated by Shakespeare and others with sights, melancholy brooding, and a mind occupied wit ...
... s it stands, is meaningless. The assumption behind the present reading is that Shakespeare wrote <i>shakt</i>, the form taken by <i>shaked</i> in Q1 of [<i>Tro ...
366) Commentary Note for line 871:871 Or by pronouncing of some doubtfull phrase,... nd the <i>of</i> has become unintelligible to us. Thus we cannot easily see why Shakespeare should write—‘Dick the shepherd <i>blows </i>his nail.' ...
367) Commentary Note for line 874:874 Or such ambiguous giuing out, to note)... d ‘<i>Nor</i> by pronouncing &c the passage will be more correct; but Shakespeare was not studious of minute accuracy— The words <i>This not to ...
... 1924<tab> </tab><sc>vand</sc></sigla><hanging><sc>vand</sc>: Abbott; Franz's <i>Shakespeare-Grammatik</i>; <sc>cln1</sc></hanging><para>874<tab> </tab>to note] ...
... 142), criticizing editors for returning to the Q2 reading, says: “Though Shakespeare uses the verb <i>to note </i>more than 60 times, he nowhere uses it ...
368) Commentary Note for line 879:879 Ham. Rest, rest, perturbed spirit: so Gentlemen,... did never <i>perturb</i> states.” We must again point out, that, though Shakespeare was certainly not a scholar in the understood sense of that word, it ...
... /i>spirit.” [153] Marc. [sic]. Steevens observes, the skill displayed in Shakespeare's managementof his Ghost, is too considerable to be overlooked. He h ...
... s called perturbed proportion.”</para></cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... para></cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>879 <tab> < ...
369) Commentary Note for line 882:882 May doe t'expresse his loue and frending to you... right</sc> (ed. 1872): “friendliness. The word is not found elsewhere in Shakespeare.”</para></cn> <cn> <sigla>1877<tab> </tab>v1877</sigla><hangi ...
... ending</b>] <sc>Hibbard</sc> (ed. 1987): "friendliness – not elsewhere in Shakespeare, and apparently a coinage of his."</para></cn> <cn> <sigla>1988<tab ...
... frending] <sc> Thompson & Taylor </sc> (ed. 2006): “friendship; Shakespeare's only usage of this word (also in F)”</para></cn> <tlnrange ...
370) Commentary Note for line 884:884 And still your fingers on your lips I pray,... ce labellum</i> (<i>Satires</i> i.160), seems to have become proverbial through Shakespeare's use of it here (Tilley F239)."</para></cn> <cn> <sigla>1988<tab>< ...
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