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Contract Context Printing 160 characters of context... Expand Context ... the fact that he represented as a spirit in a state of spiritual safety. Again, Shakespeare insists too often on the divine right of kings for him to have taugh ...
332) Commentary Note for line 768:768 A couch for luxury and damned incest.... ] <sc>Dyce</sc> (ed. 1867, Glossary): “Lasciviousness (its only sense in Shakespeare).”</para></cn> <cn><sigla>1872<tab> </tab><sc>cln1</sc></sigl ...
... ompare [<i>MM </i>5.1.506 (2900)]: ‘One all of luxury, an ass, a madman.' Shakespeare never uses the word in its modern sense. Compare ‘luxurious' i ...
... ><b>luxury</b>] <sc>Hibbard</sc> (ed. 1987): "lust, lechery (as it always is in Shakespeare), the deadly sin <i>Luxuria</i> of the Middle Ages."</para></cn> <c ...
... sc> Thompson & Taylor </sc> (ed. 2006): “lust, lechery (as always in Shakespeare)”</para> <br/> <hanging><sc>ard3q2; cam4; oxf4</sc> </hangin ...
... c> (ed. 1982): “Q2 <i>pursues, </i> which F corrects, may conceivably be Shakespearean. Cf. <i>Revisits,</i> 638. But the loss of <i> t </i>in the 2nd p ...
... 1985): "-es rather than -est before a following th- (see Franz, <i>Die Sprache Shakespeares</i>, <small>§</small>152, p. 154)."</para></cn> <cn><sigla>198 ...
334) Commentary Note for line 770:770 Tain't not thy minde, nor let thy soule contriue... ab> </tab><sc>Anon. [Auditor]</sc> (<i>Gent. Mag. </i>3 [1733]:114): “<i>Shakespeare </i>has found room for <i>Pity</i>, where he would have been excusab ...
... C;The Electra of Sophocles, in many instances, is not very unlike the Hamlet of Shakespeare. Aegysthus and Clytemnestra, having murthered the former king, were ...
... <i>Sophocles</i>; as I believe, there is scarce an editor or commentator on <i>Shakespear, </i>that has not mentioned something concerning it. The reader, if h ...
... on): “By saying these words and those that follow the ghost is, whether Shakespeare means to have him do it on purpose or inadvertently, making it impos ...
335) Commentary Note for line 774:774 The Gloworme shewes the matine to be neere... ng><para>774<tab> </tab><b>matine</b>] <sc>Elze</sc> (ed. 1882): “Drake, Shakespeare and his Times, II, 414, print <i>matins</i> in his quotation of the ...
... Hibbard</sc> (ed. 1987): "morning (<i>OED</i> 3) – not found elsewhere in Shakespeare."</para></cn> <cn> <sigla>1988<tab></tab><sc>bev2</sc> </sigla> <ha ...
... w-worm is diminishing shows that morning (<i>matin</i>) is approaching. This is Shakespeare's only use of the word <i>matin</i> and it may be chosen for its rel ...
336) Commentary Note for line 775:775 And gins to pale his vneffectuall fire,... for modern in-; in- for un-. (<b>Non</b>- only occurs twice in all the plays of Shakespeare, and in [<i>Ven.</i>] 521 [. . .]. We appear to have no definite rul ...
... /i>equal, <i>in</i>equality. [. . .] <i>Un- </i>seems to have been preferred by Shakespeare before <i>p</i> and <i>r</i>, which do not allow <i>in-</i> to prece ...
... 75<tab> </tab><b>pale</b>] <sc>Hibbard</sc> (ed. 1987): "dim, make pale – Shakespeare's only use of the word as a verb."</para> <br/><hanging><sc>oxf4</s ...
... 216;a glowworm in the night, The which hath fire in darkness, none in light.' Shakespeare does not use <i>uneffectual</i> elsewhere."</para></cn> <cn> <sigla ...
... I believe, lies the key to Hamlet's whole behavior, and it is clear to me what Shakespeare has set out to portray: a heavy deed placed on a soul which is not a ...
... & Wright</sc> (ed. 1872): “used transitively only in this passage of Shakespeare.”</para></cn> <cn> <sigla>1874<tab> </tab>Corson</sigla><hang ...
... reading I alone am responsible. [Q2, F1, Q1 VN]. Compare Jahrbuch der Deutschen Shakespeare-Gesellschaft, XVI, 229.”</para></cn> <cn> <sigla>1884<tab></t ...
... > </tab>remember me] <sc>Scolnicov</sc> (1989, pp. 92-3) <p.92> writes of Shakespeare's use of the play-within in <i>Hamlet</i> and in its totality as the ...
338) Commentary Note for line 777:777 Ham. O all you host of heauen, ô earth, what els,... of Prometheus, after the exit of Vulcan & the two Afrites, in Eschylus. But Shakespear alone could have produced the vow of Hamlet to make his memory a blan ...
... f Vulcan & the two Afrites, in Eschylus. </p. 299> <p. 300> But Shakespear alone could have produced the Vow of Hamlet to make his memory a blan ...
... drama, </small>after the exit of Vulcan <small>and</small> the two Afrites. But Shakespear alone could have produced the vow of Hamlet to make his memory a blan ...
... of passionate emotion, which, singular to state, most of the representatives of Shakespeare's <i>Hamlet</i>, on the stage, have either omitted to a great extent ...
... common than the interchange or omission of ? and !; and this I believe is what Shakespeare wrote. </para> <para>“Hamlet has just been told that his fath ...
... nce throws responsibility for this work of mourning onto the audience by naming Shakespeare's theatre: [quotes 780-2.] Thus the real playhouse is set up to be t ...
... s that once 'transformed the Whitsun crowd into witnesses at Golgotha" [Barton, Shakespeare and the Idea of the Play, p. 164]. </para> </cn> <tlnrange>780 781- ...
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