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Contract Context Printing 160 characters of context... Expand Context 301) Commentary Note for line 696:696 And for the day confind to fast in fires,... 47> the <i><sc>Latines</sc></i>, <i>exurier igni</i>. Whoever will allow <sc>Shakespeare </sc>to have imitated any Passages of the <i>Ancients</i>, will, I b ...
... either by <i>fasting</i> here, or by <i>burning</i> hereafter. This Opinion <i>Shakespeare </i>again hints at, where he makes <i>Hamlet</i> say; ‘<i>He t ...
... . 16> “So all the Editions read, till the last ingenious Editor of <i>Shakespeare</i>, odserving Deficiency in the Sense, alter'd it to “For th ...
... y, <i>confined</i> fast in Fires.' This is agreeable to the Versification of <i>Shakespeare</i>.” </p. 17></para></cn> <cn><sigla>1752<tab> </tab>D ...
... 'd either by <i>fasting </i>here, or <i>burning</i> hereafter. This opinion, <i>Shakespear </i>again hints at, where he makes <i>Hamlet</i> say, <i>He took my f ...
... >Confined </i>fast in fires'</small>: both of which, to every true reader of <i>Shakespear</i>, carry their own conviction: he could never have exprest himself ...
... n to give a regular account of the place of future torment. Chaucer is jocular, Shakespeare serious. <sc>Steevens</sc>.”</para></cn> <cn><sigla>1773<tab> ...
... man</sc> (ed. 1773): “It is justly remarked by <i>Warburton</i>, that <i>Shakespeare</i> has adverted to the Roman Catholic purgatory, though the <i>Dane ...
... c] in conformity to some such old theological notion, and in practical justice, Shakespeare makes Hamlet's father fast in purgatory, for his offence was fullnes ...
... erious account of the place of future torment. Chaucer, however, is as grave as Shakespeare. So likewise at the conclusion of an ancient pamphlet called <i>The ...
... Wyll of the Devyll</i> (for which see the notes <i>ad l. </i>in the <i>Varior. Shakespeare </i>[v1821]), he ‘should have supposed we ought to read ‘ ...
... bl. l. no date. </small>(for which see the notes <i>ad l. </i>in the <i>Varior. Shakespeare </i>[v1821]), he ‘should have supposed we ought to read ‘ ...
... us Protestant. 1 </p. 463></para> <para>Note to Flir: <i>Briefe über Shakespeare's Hamlet</i>, p. 118: in his index, Elze identifies Flir as a Cathol ...
... s </hanging> <para>696-8<tab> </tab><sc> Charnes </sc> (1997, p. 5): “In Shakespeare's <i>Hamlet</i> the Ghost is a '<i>father who knows</i>' and whose k ...
302) Commentary Note for line 698:698 Are burnt and purg'd away: but that I am forbid... Subject; for it were Pity any ignorant Reader should raise a Blot on a Page of Shakespeare, and no one take the Trouble to rub it out—be that My Apology. ...
... ntiment so very similar to this that we cannot help supposing conjecturing that Shakespear read the Translation of this Dialogue which was published in English ...
303) Commentary Note for line 702:702 Make thy two eyes like stars start from their spheres,... ara>702<tab> </tab><b>spheres</b>] <sc>Verity </sc> (ed. 1904): “used by Shakespeare of the orbits of the stars.”</para> </cn> <cn><sigla>1939<tab ...
... es</b>] <sc>Hibbard</sc> (ed. 1987): "sockets. There was a close connection in Shakespeare's mind between stars, each enclosed within its socket. See [<i>Rom. ...
... e for adverbial and other forms in -<i>y </i>or -<i>ly</i> in place of the more Shakespearian usages, citing as examples <i>knotty</i>, <i>nightly</i> (248), &l ...
... >] <sc>Hudson</sc> (ed. 1872): “Such is the old form of the word, and so Shakespeare always has it. It is commonly printed <i>porcupine</i>, both here an ...
... 57) objects to Greg's (<i>Principles of Emendation, </i>pp. 56-8; <i>Aspects of Shakespeare, </i>pp. 183-5, 191-3)<i> </i>claim that the F1 variant could be the ...
... : "porcupine. The name was spelled in many different ways: this is the normal Shakespearean form."</para></cn> <cn><sigla>1987<tab> </tab><sc>oxf4</sc></sigla ...
... Thompson & Taylor </sc> (ed. 2006): “porcupine (<i>porpentine</i> is Shakespeare's usual form) —assumed by the Elizabethans to be an aggressive ...
306) Commentary Note for line 706:706 But this eternall blazon must not be... 60, 1:62): “The following are instances of an inaccurate use of words in Shakespeare, some of them owing to his imperfect scholarship (imperfect, I say, ...
... 706 is among the exceptions to the rule: “Many of the words employed by Shakespeare and his contemporaries were the recent inventions of the age; hence ...
... Wright</sc> (ed. 1872): “revelation of eternity. It may be however that Shakespeare uses ‘eternal' for ‘infernal' here, as in [<i>JC </i>1.2 ...
... > (ed. 1899): “promulgation of eternity. But ‘eternal} was used by Shakespeare as an adjective expressing abhorrence,” and he refers to <i>J ...
... sclosure of the mysteries of eternity.' <small>The form of phrase is thoroughly Shakespearian; [. . . ].” He thinks <i>mortall coyle </i>is similar, mean ...
... rds; yet it conduces to understanding that words should not be misapplied. . .. Shakespeare, at all events, frequently uses the term blazon, and never in any se ...
... </sc> (ed. 1987): "revelation of the mysteries of eternity. Schmidt notes that Shakespeare sometimes uses <i>eternal</i> ‘to express extreme abhorrence', ...
... mp; Taylor </sc> (ed. 2006): “relating to the realm of the supernatural. Shakespeare often associates the word with 'infernal', as in Cassius' reference ...
308) Commentary Note for line 710:710 Ghost. Reuenge his foule, and most vnnaturall murther.... his is a proof this play was not wrote till after the 39 <i>Eliz.</i> 1597. (<i>Shakespeare </i>then 33,) when the first statute against vagabonds was made, inc ...
... use they happen to contain the words <i>Hamlet Revenge</i>, should not refer to Shakespeare's play. It is no uncommon thing for persons who quote from memory to ...
... : <p. 247> “Hamlet's task would at best be a hard one. . . . [but] Shakespeare does not develop [the] political and practical aspect of the busines ...
... the consequence is that we see in her fate one of the most pitiful tragedies in Shakespeare.” </para> </cn> <cn> <sigla>1977 <tab></tab> <i>Teaching Sh.< ...
... 309): "Having three versions of one event . . . facilitates the recognition of Shakespeare's theatrical strategy." He goes on to discuss the difficulties of gr ...
... and which was ridiculed in <i>A Warning for Fair Women</i> (printed 1599). But Shakespeare's ghost is no mere theatrical stereotype. For the age-old notion tha ...
... /dh/ sound (as in "bathe" or "then") in OE and ME, and thus presumably also for Shakespeare; the change to /d/ in these words in Early Modern English (as also i ...
... e ghost, is most remarkable:—[quotes 714-17]. </p. 20><p. 21> Shakespeare employs here—not by accident, I think—as illustrations o ...
... x201C;Hamlet's words convey no suggestion of speed at all, but the reverse. For Shakespeare with a touch of an irony that will </p. 74> <p. 75> in i ...
... of the proverbial 'swift as thought' (Tilley T 240), a favourite comparison of Shakespeare's (see e.g. <i>LLL</i> 4.3.326, 5.2.261; and for 'thoughts of love' ...
310) Commentary Note for line 716:716 As meditation, or the thoughts of loue... is just, says,<sc> </sc>“My hope is stronger than my Faith. I doubt that Shakespeare had Warburton's ideas in his skull, tho' these (for once) make very ...
... earth. But thought in the Prince of Denmark is an impediment, not a release. So Shakespeare interposes the retarding polysyllabic word 'meditation,' and suddenl ...
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