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Contract Context Printing 160 characters of context... Expand Context 291) Commentary Note for line 662:662 Which might depriue your soueraigntie of reason,... 1: 224-5): <p. 224>“The line [quotes] has something in it truly <i>Shakespearian: deprive, </i>is used in its primary sense, according to our autho ...
... 531-2): <p. 531> “Thus Mr. Warburton tells us ‘it is evident Shakespear wrote;' that is, according to him, ‘your sovereign or supreme r ...
... i>deprave</i>; but several proofs are given in the notes to <i>King Lear </i>of Shakespeare's use of the word <i>deprive</i>, which is the true reading.” ...
... , seated in your mind.' So that he throws his image forcibly before his reader, Shakespeare leaves it to him to arrange more than his pronouns and articles, and ...
... larke</sc> & <sc>Clarke</sc> (ed. 1868): “here used elliptically (as Shakespeare uses some verbs) to express ‘deprive you of' . . . .”</ ...
... >Ingleby</sc> (1875, pp. 92-3): <p. 92>“Some of the obscurities in Shakespeare's text arise from the consilience of two sources of perplexity. Here ...
... present used with the same construction as <i>bereave</i> or <i>rob; </i>but in Shakespeare it corresponds to our <i>ablate</i>. [<i>to take away</i>]. Thus in ...
... al text, take the following from a letter of Sir Thomas Dale, 1616 (the year of Shakespeare's death). He calls Virginia ‘one of the goodliest and richest ...
... lor </sc> (ed. 2006): “These lines are unique to Q2, Edwards argues that Shakespeare intended to delete them 'as confusing Horatio's main point' (Edwards ...
... >669<tab> </tab><b>arture</b>] <sc>Bucknill </sc>(1860, p. 259): “ . . . Shakespeare entertained the medical opinion of his day, that the arteries were u ...
... ture</b>] <sc>Clarke</sc> & <sc>Clarke</sc> (ed. 1868): “<small>Here Shakespeare distinctly associates the <i>arteries </i>with the <i>nerves.</i> </ ...
... ></hanging><para>669<tab> </tab><b>arture</b>] <sc>Hibbard</sc> (ed. 1987): "In Shakespeare’s day the arteries were thought of as conveyors, not of blood, ...
294) Commentary Note for line 670:670 As hardy as the Nemeon Lyons nerue;... ed. 1904): “sinew, muscle <small>(= Latin. <i>nervus</i>); never used by Shakespeare in the modern sense. Milton (<i>Sonnet </i>17), translating the word ...
... , though technically the stage is cleared. “At such a critical juncture Shakespeare will not want the impetus of the action to be checked, as it will b ...
... here is no break here in the action as it mounts to its first great climax. On Shakespeare's stage the Ghost and Hamlet, having made their exit through one of ...
... ose and varied emotions of a mind endowed with a delicacy of feeling that often shakes his fortitude, with sensibility that overpowers its strength.” < ...
... ition (e.g. <i> Locrine, </i> 3.6.51, 'burning sulphur of the Limbo-lake'). But Shakespeare sheds the classical allusions customary with Kyd and others, while r ...
298) Commentary Note for line 693:693 Ham. What?... /sc> (1746, pp. 333-4): <p.333> “It ought not to be forgotten that Shakespeare has many words, either of admiration or exclamation, &c. out of ...
299) Commentary Note for line 694:694 Ghost. I am thy fathers spirit,... oned in this line [762], ‘Unhousel'd, unanointed, unaneal'd.' But whether Shakespeare may thence be deemed a favourer of popish principles, remains a matt ...
... 201C;with their invective and moralization are not at all characteristic of the Shakespearean ghosts, who are </p. 104> <p. 105> usually the most re ...
... ts, who are </p. 104> <p. 105> usually the most reticent of beings. Shakespeare in this part of the play was probably rewriting Kyd.” </p. ...
300) Commentary Note for line 695:695 Doomd for a certaine tearme to walke the night,... lic spirits. This passage is relied on along with 762 by those who contend that Shakespeare gives us a 'Catholic' ghost. Against them Battenhouse, emphasizing t ...
... gic of its Catholic origin is followed, what <i>Hamlet</i> thereby registers is Shakespeare's own resistance, in the red dawn of a new age, to apocalyptic calls ...
... ocalyptic calls for revenge.” [It may be Hamlet's resistance rather than Shakespeare's; and the ghost's cries for vengeance are not much repeated.]</para ...
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