<< Prev 1.. 21 22 23 24 25 26 27 28 [29] 30 31 32 33 34 35 36 37 38 39 40 ..117 Next >> 281 to 290 of 1169 Entries from All Files for "shakes" in All Fields
Contract Context Printing 160 characters of context... Expand Context 281) Commentary Note for line 635:635 Hath op't his ponderous and marble iawes,... ts prefiguring in Jonah's from the whale (Matthew 12.39-40), and concludes that Shakespeare has 'fused the imagery of sepulchre and whale'. But a sepulchre can ...
282) Commentary Note for line 637:637 That thou dead corse, againe in compleat steele... b>compleat steele</b>] <sc>Steevens</sc> (ed. 1773) “It is probable that Shakespear introduced his ghost in armour, that he might appear more solemn by s ...
... he accent back when the next syllable in the verse is accented. See Schmidt, <i>Shakespeare Lexicon</i> pp. 1413-1415. Cf. [746, and other examples]." </para> < ...
283) Commentary Note for line 638:638 Reuisites thus the glimses of the Moone,... t;p. 222>“<i>Glimpse</i> is lost, or nearly so, in the sense in which Shakespeare here uses it. The following passage in Harington's Ariosto contains ...
284) Commentary Note for line 639:639 Making night hideous, and we fooles of nature... and some few more that might be gather'd, that this was a Liberty which <i><sc>Shakespeare</sc></i> purposely gave himself, and that therefore it is not an Err ...
... examples in the most elegant and learned writers, cannot justly be charged upon Shakespeare as vulgar and ignorant. In the comic and burlesque style, Dr. Lowth ...
... iliarized to it. </para> <para>But, after all, we are writing upon the pages of Shakespeare: and in speeches of any length, Shakespeare, careless of rule and ra ...
... l, we are writing upon the pages of Shakespeare: and in speeches of any length, Shakespeare, careless of rule and rapid in conception, pours along in his flow o ...
... ” sound perfectly good to the ear. On the other hand, he seems to excuse Shakespeare on the ground that his images are clear and in the rush of creativit ...
... e.g. <i>are made. </i>Either way, it is an instance of what we get so often in Shakespeare viz. irregularity of syntax reflecting the speaker's agitation. For ...
285) Commentary Note for line 640:640 So horridly to shake our disposition... [1391]) quotes <sc>cln1</sc>: “<sc>Clarendon: </sc>This word is used by Shakespeare not only in its modern sense of <i>settled </i>character, [Greek], b ...
286) Commentary Note for line 645:645 As if it some impartment did desire... <sc>Hibbard</sc> (ed. 1987): "communication. The word, not found elsewhere in Shakespeare, appears here for the first time, according to <i>OED</i>."</para></ ...
... tment] <sc> Thompson & Taylor </sc> (ed. 2006): “communication (a Shakespearean coinage: see [275 CN])”</para></cn> <tlnrange>645</tlnrang ...
... </i>,' &c.; and so Caldecott and Mr. Knight. But there can be no doubt that Shakespeare in these three places used <i>the same form of the word</i>; and as ...
... e ‘wafts' in both. Either word means ‘beckon,' and both are used by Shakespeare. <small>So we have a double form of the verb ‘graff' and ̵ ...
... son & Taylor </sc> (ed. 2006): “gestures by waving its hand or arm. 'Shakespeare is thinking in terms of the theatre. The <i>platform</i> is out of d ...
... sc>Kittredge</sc> (ed. 1939): "This, as well as many other passages, shows that Shakespeare does not mean to represent Hamlet as questioning the main doctrines ...
... b></tab> bettles] <sc>Jenkins</sc> (ed. 1982): “overhangs. The verb is a Shakespearean nonce-word but obviously derives from <i>beetle brows, </i> which ...
... Shakespearean nonce-word but obviously derives from <i>beetle brows, </i> which Shakespeare was not the first to ascribe figuratively to a hill (see OED beetle ...
... though the word has gained currency from F, I take it that <i>bettles</i> was Shakespeare's form. For it is far better to explain Q1 <i>beckles</i> as the ac ...
... >Edwards</sc> (ed. 1985): "overhangs like bushy eyebrows. As <i>OED</i> notes, Shakespeare coined the verb 'beetle' from a recollection of a passage in Sidney' ...
... s</b>] <sc>Hibbard</sc> (ed. 1987): "projects itself, threateningly overhangs. Shakespeare seems to have made up this verb which occurs nowhere else in his wor ...
... readers create a meaning for the new word, (iii) with an authority no less than Shakespeare behind it, the new word/meaning enters the language, (iv) result: we ...
... word/meaning enters the language, (iv) result: we get a new word/meaning which Shakespeare never intended.”</para> <para><b>Ed. note: </b>Here is an ins ...
... ey appeared.” </p. 62> <p. 84> He concludes by saying that Shakespeare's audience would have been more inclined to question the ghost rathe ...
<< Previous Results
Next Results >>
All Files Commentary Notes
Material Textual Notes Immaterial Textual Notes
Surrounding Context
Range of Proximity searches