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Contract Context Printing 160 characters of context... Expand Context ... oubt</b>] <sc>Singer </sc>(ed. 1856): “It seems to me most probable that Shakespeare wrote:— ‘Doth all the noble substance <i>oft adoubt</i>& ...
... most thence my nature is subdued To what it works in, like the dyer's hand.' <i>Shakespeare's Sonnets </i>[<i>Son. </i>111.6-7]. ‘Her infinite cunning, wi ...
... s, however, so remote from the reading of the old editions that, if it was what Shakespeare wrote, we can hardly conceive how such a corruption could have crept ...
... of the letter at the beginning of the next line. <i>Endow </i>was often used in Shakespeare's time for <i>endue</i>, which is rendered by Bailey ‘to suppl ...
... ess of the degenerate production liable to the censure of a doubt. This is like Shakespeare.”</para> <para><b>Ed. note:</b> See Kliman note on <sc>Maclac ...
... spected but actual drunkenness. He repeats his conjecture from his 1922 book <i>Shakespeare-Wörterbuch</i>: <i>oft adaunt, </i> meaning <i>subdue, </i> ...
... ntax beyond credibility.” He credits Hilda M. Hulme, <i>Explorations in Shakespeare's Language</i>, 1962, with the best interpretation of 621+21 as it s ...
272) Commentary Note for line 622:622 Enter Ghost.... e ghost portion of the closet scene [2483-2519], continues “as indeed <i>Shakespear</i> is in the fomer Scene, which as I have been assur'd he wrote in a ...
273) Commentary Note for line 624:624 Ham. Angels and Ministers of grace defend vs:... has thunder'd with Applause; tho' the mis-guided Actor was all the while (as <i>Shakespeare </i>terms it) tearing a Passion into Rags. —I am the more bold ...
... /i> Vickers 5: 450): “As no Writer in any Age <i>penned</i> a Ghost like Shakespeare, so in our Time no Actor ever <i>saw </i>a Ghost like Garrick. For m ...
... this scene, and then one cannot help exulting in the great genius. Garrick and Shakespeare have acknowledged each other through a third party, through mankind. ...
... hakespeare have acknowledged each other through a third party, through mankind. Shakespeare would have it thus, and this Garrick could only know through the fel ...
... 222): “An exclamation of surprise rather than of apprehension. No doubt Shakespeare had often heard among his townsmen at Stratford the exclamation <i>L ...
... s of grace and salvation, and the appropriate guardians of the faithful. . . .' Shakespeare drops the phrase 'of salvation,' and whereas Calvin conceives of his ...
... es of his designated guardian or defensive spirits as identical ('angels are'), Shakespeare differentiates them ('angels and'), thereby making problematic the n ...
... d with grace, rather than purveyors of grace, which seems to be Calvin's sense. Shakespeare has Hamlet use the name in an invocation. Calvin denounces the Papis ...
... Christ our only mediator and intercessor. This is standard Protestant doctrine. Shakespeare borrows the term in question from Calvin and, amusingly, puts it in ...
274) Commentary Note for line 625:625 Be thou a spirit of health, or goblin damn'd,... on's Acolastus his After-witte, 1600, which some critics think is imitated from Shakespeare's Hamlet, i.4—[he quotes Acolastus] but the langauge does not ...
... 201C;Some of the old editions read <i>events</i>; from whence I suspect that <i>Shakespear</i> wrote, ‘<i>Be thy </i>advent <i>wicked or charitable</i>.' ...
... ‘<i>intents</i>' substituted for ‘<i>events</i>.' Why, I know not. Shakespeare was wont to use words in their primitive sense. Now, the literal mea ...
276) Commentary Note for line 628:628 Thou com'st in such a questionable shape,... 01C;form inviting questions (<i>OED questionable</i> 1a), not used elsewhere in Shakespeare.” </para></cn> <cn> <sigla>1988<tab></tab><sc>bev2</sc> </si ...
... e 'no/thing' behind the mask.”</para> </cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging ...
... ara> </cn> <cn><sigla>2005<tab></tab><i>Shakespeare.</i> Journal of the British Shakespeare Association</sigla> <hanging>Holderness </hanging> <para>628<tab> </ ...
... t.</i> [edition] London: Longman, 1990. 1.1.124 [124+4]; Holderness, Graham. <i>Shakespeare: The Histories. </i> London: MacMIllan, 2000. 61-2; and Barker, Fran ...
277) Commentary Note for line 631:631 Let me not burst in ignorance, but tell... en from Q1 into Q2 and thence into F, it seems more reasonable to conclude that Shakespeare could use the same expressive word twice within three lines.” ...
278) Commentary Note for line 632:632 Why thy canoniz'd bones hearsed in death... ult doubtless, and not to be apologized for; and instances are very numerous in Shakespeare. The poet is to take his share of the faults, and the critic is to k ...
... ing ghosts. <i>Hamlet</i>'s wonder then should have been placed here: And so <i>Shakespear </i>placed it, as we shall see presently. For <i>hearsed</i> is used ...
... let the passage stand as it doth, is it not possible to give it some sense? <i>Shakespear</i> is bold in his use of words, and licentious in his manner: it is ...
... ity by perusing Mr. Warburton's note on this passage. He would persuade us that Shakespear wrote, <i>hearsed in earth</i>; and is so far from perceiving the imp ...
... t syllable, <small>and canónized on the second,</small> is not peculiar to Shakespeare, but the practuce of several of his contemporaries.”</para></ ...
... ables generally have now two accents, the principal accent coming first. But in Shakespeare's time it would seem that the <i>i </i>approximated in some of these ...
... used for the bier or for the coffin itself. This seems to be the usual sense in Shakespeare (e.g. <i>R3</i> 1.2.2; <i>MV</i> 3.1.77).” </para></cn> ...
... nd the ducats in her coffin' A <i>hearse</i> is invariably ‘a coffin' in Shakespeare."</para></cn> <cn><sigla>1987<tab></tab>Mercer</sigla> <hanging>Merc ...
279) Commentary Note for line 633:632 633 Haue burst their {cerements?} <cerments,> why the Sepulcher,... ced as a trisyllable. ‘Sepulchre' is usually, but not always, accented by Shakespeare on the first syllable.”</para></cn> <cn><sigla>1872<tab> </ta ...
... 12;to close up by burning or heating. But Steevens and Malone suggest that here Shakespeare licentiously cast aside its primary sense, and used it as meaning si ...
... 1604; but this is because it was a word newly adopted into English (possibly by Shakespeare himself). This can be seen from Cotgrave, who, under the French R ...
... anging> <para>633 <tab></tab> cerements] <sc>Jenkins</sc> (ed. 1982): “A Shakespearean coinage for 'burial clothes', the unusual word adding to the solem ...
... othes. This word, meaning literally ‘waxed wrappings for the dead', is a Shakespearian invention, derived from the normal <i>cerecloth</i> which he had u ...
... </sc> (ed. 2006): “grave-clothes (pronounced 'seerments'); apparently a Shakespearean coinage from the more familiar 'cerecloth', meaning literally 'wax ...
... e modern editions prefer Q2's 'interr'd', which also appears in Q1. No one but Shakespeare could have created so strong a reading as 'enurned'. 'urn' was ofte ...
... have created so strong a reading as 'enurned'. 'urn' was often used loosely by Shakespere and others to mean a grave, but the word is here not literal but meta ...
... encloses the body as though it were a funerary urn. It has been suggested that Shakespeare wrote 'enurned' during revision. It is much more probable that it w ...
... <b>interr'd</b>] <sc>Hibbard</sc> (ed. 1987): "buried, entombed – another Shakespearian coinage. The use of <i>urn</i>, normally ‘a receptacle for ...
... [<i>H5</i> 1.2.228 (375)] and [<i>Cor.</i> 5.6.144 (3825)] is not peculiar to Shakespeare. Dekker writes, ‘The monumental marble urns of bodies Laid to ...
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