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Contract Context Printing 160 characters of context... Expand Context ... disagrees that the moment can be comedic: “I am perswaded [sic] that <i>Shakespeare</i> was too good a Judge of Nature, to design any Thing Comick or Bu ...
222) Commentary Note for line 523:523 And these fewe precepts in thy memory... osly violated in the excellent <i>Precepts </i>and <i>Instructions</i> which <i>Shakespear </i>makes his statesman give to his son and servant in the middle of ...
... , Succeed and imitate thy father.' I cannot help remarking the excellency of <i>Shakespear</i>'s advice, both here [in <i>AWW</i>] from the mother, and in <i>Ha ...
... t;<p. 47></para> <para>“The word <i>beware</i> is used by Lyly and Shakespeare in these passages. There is further resemblance to the advice of Pol ...
... ing><para>523-45<tab> </tab>Clark & Wright (ed. 1872): “Mr. Rushton, Shakespeare's Euphuism, pp. 45, 46, has pointed out many striking resemblances b ...
... (1596, C3-4); Florio, <i>Second Fruits</i> (1591, ch. 6, pp. 93-105); and in Shakespeare himself, <i>AWW</i> 1.1.54 ff. The tradition goes back ultimately to ...
... troductory <i>these few precepts</i> echoes Lyly, who has often been claimed as Shakespeare's source, but the correspondences (some set out by Bond, 1: 65) are ...
... the precepts themselves were recurrent. Several were proverbial maxims, though Shakespeare characteristically phrases them afresh. Only a few of the closer par ...
... 'Apparel makes the man' (A283) and 'Who lends to a friend loses double' (F725). Shakespeare stages a similar occasion in the opening scene of <i>AWW</i> when th ...
... , <i>Hooks</i> better continues the metaphor of <i>grappling</i>; <small>but <i>Shakespeare</i> frequently changes his metaphors even in the middle of a sentenc ...
... steele,' it is far from improbable that Malone was right in his conjecture that Shakespeare wrote, ‘<i>hooks</i> of steel.'”</para></cn> <cn> <sigl ...
... all>this makes the figure suggested by ‘grapple' the very reverse of what Shakespeare intended; for grappling with hooks is the act of an enemy and not of ...
... is a good example of Malone at work.The various commentators also exemplify the Shakespeare wars.</para> </cn> <cn> <sigla>2006<tab></tab> <sc>ard3q2</sc> </si ...
224) Commentary Note for line 529:529 But doe not dull thy palme with entertainment... </sc> (1860, 1: 306): “<i>Dulls</i> occurs thirteen lines below. May not Shakespeare have written <i>stale?</i>”</para></cn> <cn><sigla>1865<tab> ...
... rrection made by later quartos for the original reading <i>courage</i>. Perhaps Shakespeare's word was <i>court-ape</i>.” </para></cn> <cn><sigla>1856<ta ...
... a></cn> <cn><sigla>1902<tab></tab>Reed</sigla> <hanging>Reed: claims Bacon is Shakespeare, supported by <i>Promus</i> notebooks begun Dec. 1594.</hanging> <p ...
... > 4.1.96 (2326)]. The assumption behind this reading is that <i>comrade</i> is Shakespeare's revision in F of the unusual <i>courage</i>, meaning ‘spirit ...
... ></cn> <cn> <sigla>1902<tab></tab>Reed</sigla> <hanging>Reed: claims Bacon is Shakespeare, supported by <i>Promus</i> notebooks begun Dec. 1594.</hanging> <p ...
227) Commentary Note for line 534:534 Take each mans censure, but reserue thy iudgement,... sister, will you go To give your <i>censures</i> in this weighty business.' <i>Shakesp.</i>[<i> R3 </i>2.2.144 (1420)]. Judicial sentence. ‘To you, lord ...
... To you, lord governour, Remains the <i>censure</i> of this hellish villain.' <i>Shakesp</i>. [<i>Oth</i>. 5.2.368 (3682)].”</para></cn> <cn><sigla>1765<t ...
228) Commentary Note for line 536:536 But not exprest in fancy; rich not gaudy,... hereby to draw fond customers to more expense of money' (quoted from <i>Life in Shakespeare's England</i>, compiled by J. Dover Wilson (Harmondsworth, 1944), p. ...
229) Commentary Note for line 538:538 And they in Fraunce of the best ranck and station,... e</i>, p. 34) of his not knowing that adjectives were often used adverbially in Shakespeare's days.</para> <para>“(‘Although we printed the origina ...
... iscuss this <i>locus impeditus</i> with an earnest hope that the next editor of Shakespeare will give, ‘Are most select and generous, chief in that,' R ...
... cher of this day has his <i>best set</i> (a set=12 arrows); and every archer of Shakespeare's day had his <i>first sheaf</i> ( a sheaf=24 arrows). To take one e ...
... n that</i>.' —See my <i>Remarks on Mr. Collier's and Mr. Knight's eds. of Shakespeare</i>, p. 206. — (Steevens suggested, ‘<i>Select and gener ...
... n that</i>.' —See my <i>Remarks on Mr. Collier's and Mr. Knight's eds. of Shakespeare</i>, p. 206. — (Steevens suggested, ‘<i>Select and gener ...
... been suggested, unless, as we have conjectured in the preface to the Cambridge Shakespeare, and as Mr. R. G. White reads, the lines should run: ‘And they ...
... nius, and ‘shape' in the sense here required is a very familiar word with Shakespeare.”</para> </cn> <cn><sigla>1888<tab> </tab><sc>bry</sc></sigla ...
... n to taking <i>chief</i> as a noun is that the abstract use has no parallel in Shakespeare. Yet see OED chief sb. 10 and (following Malone) cf. Bacon, <i>Colou ...
... <i>N&Q</i> 102: 84). Much as we should like to recover the smallest word of Shakespeare's, it seems unlikely that any loss here is profound.” </para ...
... 'excellence'. But I think it possible that a somewhat unusual word appeared in Shakespeare's MS., which eventually turns up as 'cheff' in F, and which defeated ...
... t slightly to make it metrical, correct an easy eye or ear error, and arrive at Shakespeare's words and meaning: ‘The most select and generous, are chief ...
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