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Contract Context Printing 160 characters of context... Expand Context 211) Commentary Note for lines 1798-1800:1799-1800 uen you one {face} <pace>, and you make your selfes an|other, you gig {&} <you> am-... /sc>: [reads <i>painting too</i> and <i>face</i>] </hanging> <para><sc>1798-99 Johnson</sc> (ed. 1765): “This is according to the quarto; the folio, for ...
... >pace</i>; the quarto as in the </p. 462><p. 463> text, which Dr. Johnson thinks best, though he admits that Shakespeare might have written both. ...
... the quartos read <i>paintings</i>, and for <i>pace, face</i>. The author, says Johnson, probably wrote both. In support of the reading of the folios Douce say ...
... God's creatures,‘ may to <i>prattlings.</i> Nevertheless, we think, with Johnson, that Shakspere wrote both--- <i>paintings</i> and <i>face</i> first, <i ...
... <cn><sigla>1773<tab> </tab>v1773</sigla><hanging>v1773</hanging> <para><sc>1801 Johnson</sc> (ed. 1773): “You mistake by <i>wanton</i> affectation, and ...
213) Commentary Note for lines 1804-05:1804-5 but one shall liue, the rest shall keep | as they are: to a {Nunry} <Nunnery,> go. Exit <Hamlet>.... ith his first feeling, when here he discovers her; for his language then, says Johnson, not recollecting that he is to personate madness, "is correct, consonan ...
214) Commentary Note for line 1816:1816 Blasted with extacie, ô woe is mee... and 2522) cited here]. Most of these instances, and some others, are noticed by Johnson; but it is not mentioned that these senses are no longer given to the wo ...
... ab> </tab>john1</sc></sigla><hanging><sc>john1</sc></hanging> <para><sc>1859-60 Johnson</sc> (ed. 1765): “The meaner people then seem to have sat below, ...
... a, previous to the dialogue.”</para> <para>1860 <b>inexplicable</b>] <sc>Johnson</sc> (ed. 1765): “ I believe the meaning is, <i>shews, without wo ...
... hows,' we have a specimen in the play-scene of this tragedy.” Quotes Dr. Johnson from <i>Illust. Shak.</i></para></cn> <cn> <sigla><sc>1856<tab> </tab>hu ...
... e time</i>. For one thing, ‘age . . . of the time' is meaningless, as Dr. Johnson noted. On the other hand, age and <i>body of the time</i> are clearly no ...
... john1</sc></sigla><para><sc>john1</sc></para> <para><b> age and body</b>] <sc>Johnson</sc> (ed. 1765): “The <i>age </i>of the <i>time </i>can hardly pa ...
... ut ill with <i>body.</i>”</para> <para><b>his form and pressure</b>] <sc>Johnson</sc> (ed. 1765): “Resemblance as in a <i>print.</i>”</par ...
... into a partial description of dramatic fable. I think, with submission to Dr. Johnson and Mr. Steevens, that 'the age and body of the time' means the particul ...
... passage right as it stands, or approve of either of the amendments suggested by Johnson.— There is one more simple than either that will remove every diff ...
... a><hanging><sc>mal</sc></hanging> <para><sc>Malone</sc> (ed. 1790): “Dr. Johnson says, ‘<i>the age of the time</i> can hardly pass.' Mr. Steevens h ...
... assage right as it stands, or approve of either of the ammendments suggested by Johnson.--There is one more simple than either, that will remove every difficult ...
... p. 176-7): <p. 176>“The ‘age of time,' as objected to by Dr. Johnson, is not, I believe, implied in the construction; </p. 176><p. 1 ...
... lain rather than to alter. ‘The <i>age </i>of the <i>time</i>,' says Dr. Johnson, ‘can hardly pass.' He might have gone farther, and designated it ...
... . Why should Hamlet speak of the <i>pressure</i> of the body of the time? Dr. Johnson tells us that it signifies resemblance as in a <i>print</i>, but surely ...
... ld thus create a pleonasm. The interpretation of the passage, according to Dr. Johnson, would really be ‘to show the face and body of the time (in the mi ...
... c>1765<tab> </tab>john1</sc></sigla><hanging><sc>john1</sc></hanging> <para><sc>Johnson</sc> (ed. 1765): “<i>Profanely</i> seems to relate, not to the pr ...
... </hanging> <para>1877-8 <sc>Mason</sc> (1785, p. 387-8): “I differ from Johnson in the explanation of this passage, and think that the word <i>profanel ...
... the profanation that Hamlet deprecates or disclaims, be (as I suppose, with Dr. Johnson, it is) that which might seem to belong to the remark he is going to mak ...
219) Commentary Note for line 1912:1912 And crooke the pregnant hindges of the knee... 1</sc></sigla><hanging><sc>john1</sc></hanging> <para>1912 <b>pregnant</b>] <sc>Johnson</sc> (ed. 1765): “I believe the sense of <i>pregnant </i>in this ...
... </sigla><hanging><sc>john1</sc></hanging> <para><sc>1914 </sc><b>deare</b><sc>] Johnson</sc> (ed. 1765): “Perhaps, my <i>clear </i>soul.”</para>< ...
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